Theobald Boehm: Grande Polonaise for flute and piano, Op 16 – Play streams in full or download MP3 from Classical Archives (), the. Work Title, Polonaise for Flute and Piano, Op Alternative. Title, Grande Polonaise pour la Flûte avec accompagnement de Pianoforte. Œuvre Composer. Sheet Music for Flute & Piano (A-B) by Boehm, T, Grand Polonaise Op. 16, Published: Gerard Billaudot [GB], Editor: Heriche, Robert, Not Applicable.

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T. Boehm: Grand Polonaise for Flute and Piano – video dailymotion

Theobald Boehm — Romantic Composer. As is the case with Rossini’s Wilhelm Tell overture, the work begins with a solo for four cellos.

Enescu was exceptionally successful in Paris as a violinist, composer and conductor. Born in Munich inBoehm was the son of a jeweller, and worked in the family business from the age of This huge cultural palace, that burned down in and made way for the present Dutch Bank DNBwas for a long time, along with Felix Meritus, Amsterdam’s most significant centre of music, despite its infamously poor acoustics.

Opera, however, became his most important musical domain for the remaining three decades of his life. The whole piece is just a piece of popular music as is in use in the eastern part of the Czech Republic, where it is usual for people to sing in gay minor tonalities and dance to these.

To her Donizetti dedicated several chamber-music works, e. These include the Grande Polonaise, Variations on Nel Cor Piu, Variations on a Waltz by Schubert and some of the arrangements for alto flute, which were thought to have been lost until relatively recently.

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So it came about that Marianna Pezzoli-Grattaroli, a well-to-do lady of the Bergamo high social circles, became Donizetti’s benefactor around That Boehm dedicated the Grande Polonaise to ‘his friend’ Camus reflects the bond of friendship that had been formed through various meetings in Paris, but equally reflects Camus’ great capacities as a player.

Sheet Music :: Flute & Piano (A-B) :: Boehm, T :: Grand Polonaise Op. 16

Nihavend, the second movement of the Suite Persane, describes a Persian town. Opus 16[a] appeared inpublished by Falter in Munich, Opus 16[b] with Aulangnier in Paris around The German national anthem ‘Liebe und Sehnsucht’ forms the basis of this introduction, theme and variations.

In the Concertino you find most of all gaiety, with a harmonic construction in Phrygian, Lydian and Mixolydian church modes. It was first performed by the well-known flutist Herman van Boom, to whom the piece was dedicated. As a composer he left behind a varied oeuvre that is distinguished by its inventive harmonic colouring and the touches of rhythmic and structural innovation. He was Kapelmeister to the Munich Court from to He began to learn the flute at the age of Erwin Schulhoff, Schriften, pp.

He was principal flute there from Carla Ree s is a British low flutes specialist who has gained an international reputation for her innovative work.

Here the piano part, richly laden with Alberti basses, serves principally as accompaniment. The piece was dedicated to Ary van Leeuwen, undoubtedly the best-known Dutch flutist of that era. To name just a few performances: By adding the double bass, Diepenbrock also added more profundity.

Jupiter Silkweave Microfiber Cloth. The most important distinction between the two, however, is that the chaconne is composed on a continuously repeated bass theme of usually four or eight bars; in the passacaille only the rhythm of this often a minim followed by a crotchet is retained.


The second movement as a Scherzo is in the form of a ‘beseda’, a national Czech dance, which as its main element uses a ‘furiant’ tempo. Two of these studies number 2 and 11 also exist in arrangements made for the alto. The melodic writing, too, shows that it is highly likely that Boehm had a good tone and an instinct for phrasing.

Returning to Bergamo lateDonizetti wrote pieces for piano as well as instrumental chamber music. Here he demonstrated a talent for his work, and developed skills which would be invaluable in his later work as a flute maker.

No maker of oboes, clarinets or bassoons had been honoured in this way. Theobald Boehm – Grande Polonaise, Op.

Grande Polonaise for flute and piano, Op 16

These were written in when the new flute was in development, and it is thought that Boehm composed the works for his students to help them adapt to the new fingering system. One more set of etudes is included in the complete works of Boehm. The suffering expressed in the last sentence may reflect Diepenbrock’s sorrow at the relationship his wife had with the composer Matthijs Vermeulen.

The passacaille, however, is only a dance while the chaconne is simultaneously sung and danced.